Browsing: Columns

The word disruptor is a vividly descriptive one, and it’s almost always applied to an individual. But it doesn’t have to be. Take the rule-busting, category-smashing, one-of-a-kind-because-you’ve-never-seen-anything-of-its-kind “You Can See Everything,” a movie that in one weekend has turned the movie landscape topsy-turvy.

The celebrity stylist, whose clients include Zendaya, Kim Kardashian and Celine Dion, says he’s “absolutely” ready to try some acting.

Michaela Jaé Rodriguez will be honored by APLA Health later this month with its Voice of Visibility Award.

“You Can See Everything,” Nathan Fielder and Lance Oppenheim’s A24 doc that made for an explosive secret screening in Telluride, follows Theranos founder Elizabeth Holmes during the 34 days before she reported to prison and keeps rolling long after. It just played the New York Film Festival and carries something no nonfiction film has pulled…

“Behemoth!,” Tony Gilroy’s first feature as a director since “The Bourne Legacy” in 2012, world-premiered on Friday night at Alice Tully Hall as the centerpiece selection of the New York Film Festival. Pascal plays Alex Serian, a former child prodigy from a family of Los Angeles studio musicians who returns home after 20 years on…

On Friday Warner Bros film chiefs Mike De Luca and Pam Abdy waited for a phone call informing them of their future employment. 

With the Venice, Telluride and Toronto film festivals in the rearview mirror and the New York Film Festival kicking off on Friday, we should have a pretty good idea of what this year’s awards race will look like.

Zach Cregger is, once again, the belle of the ball. A year after “Weapons” exploded in theaters and catapulted Amy Madigan to an Oscar win, his Sony video game adaptation “Resident Evil” sprinted past expectations to open to $60 million this weekend — the highest opening in the IP’s eight-film history. With rave reviews and…

Will Poulter is heading to Indianapolis to be honored at the 35th annual Heartland Film Festival.

There is a delicious irony at the center of “The Debut,” Eisenberg’s third feature as a director, which world premiered at the Telluride Film Festival: it is a film about a nobody who attacks a bit part as if it were the role of a lifetime — and it arrives as one of the fall’s…